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Alix Eyrl – Restaurierung von Bildern auf Leinwand und Holz
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  • Portrait
    Portrait
    Öl auf Leinwand/olio su tela/oil on canvas – 50 x 70
  • Portrait
    Portrait
    Hl. Paulus – um 1700 – Öl auf Leinwand/olio su tela/oil on canvas – 52 x 77
  • Portrait
    Portrait
    Rosenkranzmadonna – Joseph Haller - 18. Jhdt/18°sec/18th century – 36,5 x 51
  • Landschaft/Paesaggio/Landscape
    Landschaft/Paesaggio/Landscape
    Sigmundskron/Castel Firmiano - Öl auf Leinwand/olio su tela/oil on canvas – 61 x 49
  • Portrait
    Portrait
    Johannes Lännßer von Mos - 1613 - Öl auf Leinwand/olio su tela/oil on canvas - 75,5 x 95,7
  • Portrait
    Portrait
    Maria Anna von Kronberg - Öl auf Leinwand/olio su tela/oil on canvas - Basille 1778 - 42 x 53
  • Mythologische Szene - scena mitologica - mythological scene
    Mythologische Szene - scena mitologica - mythological scene
    Andromeda und das Seeungeheuer/Andromeda e il mostro marino/Andromeda and the sea monster - Öl auf Leinwand/olio su tela/oil on canvas - Gian Battista Lampi - 58,5 x 72
  • Landschaft/Paesaggio/Landscape
    Landschaft/Paesaggio/Landscape
    Landschaft mit Haus/Paesaggio con casa/Landscape with house - Öl auf Leinwand/olio su tela/oil on canvas - XX - 64,5 x 55
  • Landschaft/Paesaggio/Landscape
    Landschaft/Paesaggio/Landscape
    Schafe/pecore/sheeps - Öl auf Leinwand/olio su tela/oil on canvas - XX - 63 x 47,5
  • Mythologische Szene - scena mitologica - mythological scene
    Mythologische Szene - scena mitologica - mythological scene
    Mutter mit Kindern/madre con figli/mother with sons - Öl auf Leinwand/olio su tela/oil on canvas - 83 x 67
  • Kampfszene/scena battaglia/fight scene
    Kampfszene/scena battaglia/fight scene
    Schlacht Berg Isel/battaglia Berg Isel/fight Berg Isel - Öl auf Leinwand/olio su tela/oil on canvas - Franz Altmutter 1800 - 75,5 x 95,7
  • Mythologische Szene - scena mitologica - mythological scene
    Mythologische Szene - scena mitologica - mythological scene
    Der Drachentöter/L'ammazzacattivi/The Dragonslayer - Öl auf Leinwand/olio su tela/oil on canvas - 83 x 67
  • Kampfszene/scena battaglia/fight scene
    Kampfszene/scena battaglia/fight scene
    Innsbruck - Öl auf Leinwand/olio su tela/oil on canvas - Franz Altmutter 1800 - 75,5 x 95,7
Picture restoring 13

The main feature by restoring a painting is to give him back the correct readibility. The painting should not apprear as new as from the workshop of the artist, but the natural aging phenomena should and must be maintained. Basically the restorer, with the less intervention, has to give back the painting his integrity.

First step by restoring a picture is to consider the execution techinique and the state of conservation. After that the actual interventions begin. Usually the cleaning of the painting with solvents is the first step. As all interventions must be reversibel, this is impossible for the cleaning; what once was removed cannot be returned in original. This is precisely why the cleaning certainly is the riskiest intervent of all. Sometimes a simple varnish change can give back the painting the right readability and let it shine in new old splendour. The cleaning is followed by the cleaning of the back side of the canvas and the repair of cracks and holes; in some cases, depending on the condition of the painting, a doubling is needed. But generally we try to avoid this intervention as it leads to a reduction of the value. After the canvas was re-stretched on its frame we go on with the stucco work. The missing parts are filled with a paste composed of a binder and a filling, also a pigment can be added, so that the surface is adapted to the environmental color. As a final step, after the painting was coated with a first layer of varnish, we retouch the painting with retouching colours. This procedure pursues the objective to unite the work through reintegration of the chromatic tissue and mitigate the visual interference of the gaps. This reversible materials such as watercolor and tempera paints can also be used in different ways. It follows a last final layer of varnish which is sprayed over the whole surface of the painting.

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